Zerb

Contents of Zerb 101

• Editorial – Simon Edwards, Editor in Chief
• EastEnders – Live at 40
• Caitlin Bailey – Extreme depth filming
• Brian Kelly – Covering conflict
• Mo Amin- The real Live Aid
• CineCertified – Industry accessibility and accountability
• Tyrelle Morgan-Johnson – My broadcasting journey
• Quick Q&As – Kerren Marshall / Markéta Begala Janků / Tim Moses / Petrana Zemanová
• Abdi Cadani – Life as a news cameraman
• Filming in Caves and Jungles in Vietnam – Ryan Deboodt
• Ghosts of Alderney – Hitler's Island Slaves
• From behind the camera to behind the bench – Steve Lord
• Brian Kelly – Coping with covering conflict
• A cameraman with wings – Dan George

Online access to Zerb

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If you are having trouble locating any Zerb content you are searching for, please do not hesitate to contact zerb.production@gtc.org.uk.

Contents of Zerb 100

• Editorial – Graham Maunder, Chair, GTC
• 100th Edition – John Henshall, President, GTC
• Covering world events on the frontline with CNN news cameraman, Scott McWhinnie
• Wildlife cameraman Robert Hofmeyr captures big cats with the Red V-Raptor 8K camera
• Ben Rowland, self-shooting director behind Great Continental Railway Journeys with Michael Portillo
• Filming critically endangered Marsican brown bears in the Apennine Mountains
• Simon Bradley shares his unique experiences working for Nippon Television
• Lighting Director, Chris Chisnall talks about the challenges of lighting Coronation Street
• Q&A with Hannah Cable
• Essential role of MotoCam
• Over Exposed filming women’s football for broadcast as popularity continues to rise
• Filming brown bears in the remote Alaskan wilderness with Erin Ranney
• Alex Doherty, building a career in broadcast through steadicam work for live television
• Tom Beldam, capturing Adelie penguins
• Freelancer Fair links Birmingham City University graduates with industry experts
• Brunel University is bridging the gap between education and the media industry

Contents of Zerb 99

• Editorial – Graham Horder, Vice Chairman, IAWF
• Extreme camerawork with adventure cameraman, Daniel Bowring
• Justine Evans wins the RTS Craft & Design Outstanding Contribution Award
• Tim Moses, talks about the challenges shooting Rugby Union
• Graham Maunder speaks to Tom Martienssen, documentary director
• Cinelabs capture shots of RedBull wingsuit skydivers flying at Tower Bridge
• How Teradek delivers ultra-low latency video over secure private wireless networks
• Filming the unearthing of an ancient Pliosaur skull on the Jurassic Coast
• DOP Darryl MacDonald, talks about shooting 'Wild Oman: Wonder of Arabia'
• Q&A's with, Lydia Sludden, Hazel Palmer & Matt Payne
• Cliff Webb talks about the unique camera skills needed for shooting international yacht racing
• Pioneering wildlife cameraman champions conservation in Africa through community storytelling
• BBC Senior Camera Journalist Jack Slater talks about juggling overseas deployments, filming high-profile politicians and quick turn around news deadlines
• Graeme McAlpine goes behind the scenes at the London International Horse Show
• Collaboration between IMG and the NFTS shaping the future of sports production

Contents of Zerb 98

• Editorial – Luke Sheehan, GTC Education Officer
• Julie Ritson, talks about why she is passionate about teaching camera professionals
• Capturing the cinematic beauty of underwater filmmaking
• James Cannon ACS and Alina Graciova: the war in Ukraine
• Vernon Layton BSC, DOP talks about his career in film and television
• Timeline TV: Remote broadcasting techniques for the British Basketball League
• Joshua Bosley, talks about his journey from cameraman to DOP
• Ester de Roij, Wildlife cinematographer: Bears and wolves in British Columbia
• Tom Cribbin, talks about how AI speeds up video production
• Jeremy Braben: Building a successful aerial filming company
• Innovative technology has revolutionised sports on television with Chris Hollier
• Gail Jenkinson talks about filming ‘Patrick and the Whale’
• Q&A’s with, Michael Sanders, Nic Holman & Natalya Redding
• OB cameraman captures Superbikes Championship with dynamic drone shots
• Talking Pictures TV, the UK’s largest independent channel
• Getting started with Your Career in Television
• Barry Bassett, VMI talks about sustainable practices and embracing Net Zero goals

Contents of Zerb 97

• Editorial – Chris Yacoubian, GTC Welfare Officer
• John Henshall, GTC President & Co-Founder – Extract from his forthcoming book
• The Mark Milsome Foundation aims to provide a positive legacy
• What goes on tour stays on tour… by Noel Wyatt
• I was Kylie’s Cameraman by Dicky Howett
• 30 year anniversary of Visual Impact Northern
• Letting wild locations free your mind by Graham Horder
• Q&A’s with, Sandra Pennington, Paul Dugdale (Duggers), Brett Turnbull, Nick Kauffman, Sally Garrett, Laura Howie, Tim Potter and Sam Creamer
• Getting airbourne with Carys Kaiser
• The future of syncing is simple and affordable
• The Digital Cinematography Revolution
• Ocean crossings with Dani Devine
• Becky is flying high – Becky Lee talks to Bill Shepherd about her role as an aerial gimbal technician

Contents of Zerb 96

• Falling Flat – the lockdown sitcom that we all need
• The Mick Deane Bursary – nurturing the next generation
• Valuable industry opportunities for new generation of camera professionals
• GTC Member James Dunlop swaps his clarinet for a camera
• Lighting the Platinum Party at the Palace
• Operation Lion: the view from Canada Gate
• TV OBs through the lens of Steve Challes
• Thriving between three freelance careers by Dan Poole
• The Fence: from short film to full-length feature
• Q&A with GTC Council members, John Templeton and Riccardo M Alfano
• Filming The Narrows on a virtual production stage
• From wheelchair to pedestal by Derek Halls

Contents of Zerb 95

• An Unnatural History – IAWF member Robin Smith’s path to filming wildlife
• Meet the Martins: The art of lighting sitcoms with Martin Hawkins and Martin Kempton
• Alan Duxbury – 50 years of change in camerawork
• The Life of Brian – The career of former GTC Chair Brian Rose
• Shooting Dolby Vision HDR on an iPhone by Kevin Augello
• Filming wildlife closer to home by IAWF member Marc van Fucht
• Nick Gilbey director of the BEHP – Taster of what the BEHP archive has to offer
• What is Vision Control? by Richard Carroll
• Zerb Basics: Understanding LED light sources
• A world of pure engineering imagination – Rob Emmanuel talks to Dave Bromfield Managing Director and Founder of Movie Camera Support Ltd
• Quick Q&As with former GTC council members Chris Owen, James French and GTC Honorary President John Henshall

Contents of Zerb 94

• I’m A Celebrity Get Me Out Of Here! – in times of COVID, by camera supervisor Tony Freeman
• Moving Pictures – a fine art – GTC member and jib operator Steve Fuller on adding fine art photography to his portfolio
• Going Live with Rambert Dance Company’s Draw From Within and Rooms by cinematographer Emma Dalesman
• Mike Dugdale – a remarkable life remembered. Nat Hill and Paul Dugdale reflect back on an extraordinary life
• Life at the sharp end: the role of a lens technician – Gary Leach and Ben Cridge from GTC Sponsor CVP on how they keep lenses in optimum condition
• Brave New World – by steadicam operator Junior Agyeman-Owusu
• Tiffen Steadicam workshops – attendee comments on the first live post-lockdown steadicam workshop run by GTC sponsor Tiffen
• Going Digital: clear wireless sound that makes headlines. Sam North, sales manager for Karno outlines the benefits of digital radio mic systems
• The history of ITV’s contribution to the evolution of sports broadcasting. Phil Nott from the Broadcast Engineering Conservation Group looks back on how ITV influenced the future of sports broadcasting
• 50 unforgettable years: GTC sponsor CP Cases celebrates its golden anniversary
• Quick Q&As with Council members Alan Duxbury, Clive North and Peter Rance

Contents of Zerb 93

• Filming Top Gear and The Grand Tour – by DoP Ben Joiner
• Taking drone filming to new heights – with Top Gear aerial experts Lec Park and Andrew Lawrence
• GTC member (Corporal) Agy Rudel explains what it takes to be a RAF Media Reservist
• The story behind Robbaduck Camera Services – GTC member Rob Ballantyne’s new camera tracking company
• Bullet Time: how New World Designs’ impressive bulllet time rig creates the ‘game freezes’ on The Million Pound Cube
• Weathering the storms with Pelis and penguins – IAWF members Natalie and Andreas Oberg test out their optimum camera setup in the Falkland Islands
• Focusing on Diopter lenses – the low-down on what these useful add-on tools can do and how to attach them
• What goes into creating an innovative piece of new camera mount technology – Sachtler’s James Guest on the thinking and research behind the flowtech and activ products
• The Tank Factory – how GTC sponsor Prolink contributed to the equipping of this brand new West London studio facility
• Reflections from and warm tributes to camera supervisor supremo Tony Keene, who recently took the decision to retire after over 40 years behind camera
• Workflow efficiency with the latest CODEX high density encoding technology
• After 50 years in the business, Anton Bauer has an enviable reputation for providing reliable power solutions – read how they ensure these standards
• Introducing the new Fiilex Q5 color fresnel lamp

Contents of Zerb 92

• Guest editor Elisa L Iannacone shares experiences from shooting on the frontline, with advice on staying safe
• Ellen Kuras ASC interviewed – and her current project: a global collaborative documentary record of life under lockdown
• Filming drama remotely: how to coordinate and control a drama shoot from the comfort of your own home sofa – with the help of the actors’ families
• Seeing in the dark: capturing never-before-seen night-time hunting behaviour of big cats for Night on Earth
• GTC member Al Livingstone’s latest film shows the devastating effect of deforestation through the plight of a very inaccessible baby harpy eagle
• Cinematography in Flux: DoP Sarah Smither discusses changes in the industry, storytelling and the key importance of a caring attitude to crew
• Spiral of Containment: how a brave and honest multimedia project has helped rape victims to heal
• Do you love or loath a LUT? Two colourists explain how LUTs work and how to get the best out of them.
• Multi-drone shooting – how a team of drone operators faced the challenges of both weather and terrain to film a complex sheep gather
• So you want to improve your carbon footprint and keep travel costs down – is electric now a viable option for your crew and kit transport?
• Reflectric – a new energy-efficient lighting technique that achieves lovely natural-looking images with few lamps but multiple reflectors
• GTC member Simon de Glanville devised a home-schooling module that would allow him to keep his hand in as a wildlife cameraman while  teaching his sons about filming and storytelling – the heroes were snails!
• The Helicopter Girls are well known for their aerial photography skills and cutting-edge drones. Now they have another challenge: juggling childcare

Contents of Zerb 91

• Festival of Remembrance – camera supervisor Nigel Saunders on the award-winning coverage of this national treasured event
• It’s been a busy few years for Northern Ireland-based news cameraman David McIlveen – but he’s still been able to innovate by shooting news on large-sensor cameras
• Rise of the Nazis: DoP Duane McClunie on creating the look for reconstructed scenes from this dark period of history
• Sex Education – DoP Jamie Cairney on shooting the second series of the hit Netflix comedy drama
• … while camera trainee Andrea Jovanovska had a great opportunity to both operate and appear in an episode set in a TV studio
• Zerb looks back at and celebrates 40 years of innovation in specialist cameras from GTC sponsor company Aerial Camera Systems (ACS)
• Breaking barriers and finding balance: camera supervisors Liz Bell and Jo Hodges not only provide top-quality crews, they also look after health and wellbeing
• Retracing the great cave escape of Tham Luang Nang Non – how this extraordinary accident happened and then the rescue unfolded
• Bill Vinten GTC University Awards – the story behind our student awards
• Any fool can be uncomfortable: IAWF member Graham Horder gives the low-down on what it’s really like to film natural history programmes (with a little help from some friends)
• Procam’s Saul Gittens on this GTC sponsor company’s comprehensive training programme for new entrants to the industry
• Life as a camera guarantee – GTC member Fiona Schimmel explains what this role involves and why it’s a really great way to learn all about OB work
• Horse racing – a trio of articles on this busy area for camerawork: first, Matt Payne explains how he transitioned from jockey to camera operator; we hear how Italian GTC sponsor Cartoni custom built products for RaceTech; and James French reports on a visit to their factory in Rome
• Plastic Surgery Undressed – the low-down on the complicated linkage involved in showing live cosmetic surgery operations to studio guests elsewhere, including live two-way interviews with surgeons and patients
• A glass act: DoP Mark Warmington has a passion for beautiful lenses – and he has recently added rehoused Leicas to his kit collection

Contents of Zerb 90

• After Life – GTC member Martin Hawkins on working with Ricky Gervaise on his latest series
• GTC sponsor Helicopter Film Services introduce their impressive six-camera array, Typhon2
• 24 Hours in A&E – Vision Guarantee Richard Carroll on planning and controlling a 111-camera shoot in a high-paced emergency environment
• Tales from the snooker: GTC member Duncan Richmond has stories to tell from snooker and many other shoots – and he’s compiled them in a book
• How do you operate a camera from a Segway following world-champion cyclists? GTC Award-winner Ifor Wyn Humphreys on this specialism
• Happy 30th Anniversary Top-Teks! We look back on the GTC’s relationship with one of our longest-standing sponsor companies
• Bohemian Rhapsody: this iconic video launched the music video industry – and it was all shot in a half-day by four very early GTC members
• Zerb Managing Editor Alison Chapman looks back at 25 years overseeing the GTC’s journal
• Microscopy expert Sinclair Stammers on a career of filming the tiniest creatures, in particular those who like to suck blood!
• Aerials over Buenos Aires – Argentinian DoP GTC member Alejandro Reynoso on building up the country’s leading drone filming company
• Dreamflight – find out how you could join other GTC members in improving the lives of children facing enormous challenges by joining this charity’s remarkable life-enhancing trips to Florida
• The Baby Club: ‘Never work with children…’ – GTC member explains why working with 12 babies on this innovative new series was actually fine
• Zerb Basics: Keeping your kit safe in cars and vans
• Why Boxx wireless products are the choice of one of New Zealand’s top Steadicam and RF-camera specialists, Martin Stacey
• Sideshow – DoP Stephen J Brand on how to shoot a feature film on a very low budget in just 18 days – and in winter
• Green shoots – as the GTC sets out to formulate an environmental policy, it can learn a lot from GTC sponsor company VMI

Contents of Zerb 89

• Parasol Peak – recording a live music performance on the top of a 3000m mountain
• Fergus Kennedy on moving from marine biologist to underwater cinematographer to drone specialist
• How do you visualise sound on camera? DoP Timur Civan on shooting the award-winning Nigel Stamford video Cymatics
• The art of shooting wildlife: IAWF member Sophie Darlington on filming big cats – and other animals
• One Box Television: Richard Stevenson celebrates 10 years of his innovative ‘flyaway OB’ system
• The portrait challenge – how difficult and different is it to record a theatre performance in 9:16 for viewing on Instagram?
• Smooth operator: a user’s guide to gimbal rigs by Mark Langton
• Introducing EVI, the dynamic HDR converter that makes it possible to view HDR images on standard definition monitors – and more
• Paul Edwards looks back on a long and fulfilling career as Steadicam operator on many great features and training new operators at Tiffen
• Zerb Basics: Filters and Matte Boxes – with drama DoP Nick Dance
• Flying with batteries – frequent flyers news cameraman Bhasker Solanki and documentary DoP Jonathan Young on how to stay within the rules for transporting lithium batteries but also cut down on check-in hassle
• Hothead expert Manueal Balseiro assesses the new Kornercrane, which enables transitioning from underslung to overslung on shot
• The story of Easyrig – founder Johan Hellsten recalls 25 years of his back-saving rig
• Litepanels Gemini – Andrew Woodfin on developing the new soft light, while Version 2’s Nick Edwards gives the end-user perspective

Contents of Zerb 88

• DoP Nat Hill on the amazing one-take #BRUM shot
• Being Brunel – DoP Jon Pegler on visualising the mind of Isambard Kingdom Brunel
• Hector Skevington-Postles on capturing rare snow leopard footage
• Extreme: GTC award winner Ryan Atkinson on filming the Three Cs: caves, cliffs and under the canopy
• What does it take to be an on-board reporter on the gruelling Volvo Ocean yacht race?
• Agile Remote Cameras – the story behind the ultra-rugged PTZ cameras
• Filming from hot air balloons
• Out in the cold: tips on how to keep warm and mobile on skiing events – from GTC Chair Graham Maunder
• SKAPYA: the all-weather jacket that converts to a bag – and is great for documentary camera professionals
• The Helicopter Girls on their new light-bearing drone and partnership with Marzano Films
• Camera Supervisor Rob Sargent and his crew covered the Windsor Castle Route for Prince Harry and Meghan Markle’s wedding
• Learning from the experts – shooting architecture and property shows
• RED owner/operator DoP Giles Harvey tries out the new GEMINI and MONSTRO cameras
• Zerb Basics: what do you need to know to keep your accounts in order?
• The Zerb Good Kit Hire Guide: how to build and sustain a great relationship with your kit hire company
• Cutting-edge innovations from GTC sponsor Ikegami – latest 8K cameras, HD trucks and monitors
• Happy Anniversary Panasonic! – we celebrate a remarkable centenary of delivering products that make ‘A Better Life: A Better World’

Contents of Zerb 87

• Marcella: Scandi-noir drama shot in summer London on VariCam – by DoP Kate Reid
• Expedition Volcano – by GTC members Will Edwards and Ryan Atkinson
• Learning from the experts: The Strictly crew
• Blue Planet II – IAWF cameraman Mark Payne-Gill on filming humpback whales for the most watched natural history series of 2017
• Supervising the IAAF World Championship: Tim Moses on planning for a major international athletics championship
• Bhasker Solanki recalls a remarkable 38 years as a BBC News cameraman
• Kësulat – GTC Awards Officer on shooting her first feature, a powerful true story set in the Balkans War
• Andy’s Safari Adventures – lighting and shooting a complex and innovative children’s natural history show by DoP Stephen J Brand
• A trip to the Vitec Factory in Costa Rica – by Darren Bramley
• Kit review: Vitec flowtech 75 tripod
• The new Steadicam M1 Volt – tested by GTC member John E Fry
• Strictly has gone paperless – using iPads for shot cards
• IAWF member Simon Littlejohn on filming vultures in southern Spain
• How the BAFTA’s albert Consortium is helping productions improve their carbon footprint – and save on their budgets too
• The Canon C700 camera road tested by DoP Jamie Cairney

Also included with Zerb 87 was the special Zerb Mental Heatlh Supplement.

Contents of Zerb 86

• Welcome to the GTC – Guild of Television Camera Professionals
• Why titles matter: Hazel Palmer explores the background to the GTC’s name change
• Extreme Mountain Challenge – the story behind an hair-rasing adventure shoot from GTC member Keith Partridge
• Shooting wildlife with the Panasonic VariCam – by Dutch wildlife cameraman Dick Harrewijn
• The GTC wishes its long-standing sponsor ARRI a very Happy 100th Birthday – and looks forward to the next 100 years!
• Latest technology used to cover the Oxford v Cambridge boat race, one of the most complex annual UK OBs
• Grand Tours of the Scottish Islands – spectacular scenery in some of the most remote parts of the UK by Award-winning DoP Richard Cook
• Mutiny – Dan Etheridge was embedded with the ‘mutineers’ who recreated the famous voyage of the survivors of the Mutiny on the Bounty
• Motion Impossible… made possible. Meet the AGITO and MANTIS remote controlled tracking systems
• Taking off with drones – GTC member Aaron Cook on learning to fly a drone the right way by taking a recognised course and plenty of practice
• Learning from the experts – advice from multi award-winning cameraman Jonathan Young for student member Laura Jeacocke
• Between the tropics – GTC member Niall Newport on filming an extraordinary cycling expedition across Asia to Australia
• Channel vision – GTC member Tracey Cahill on her career working in news and factual programmes in the Channel Islands
• Rock steady – GTC TiCA winner Dominic Jackson on why the ARRI Trinity is now his camera stabilisation system of choice
• Rebuilding history – the story behind the complex recreation of John Logie Baird’s first TV system in a Cambridge University engineering department
• Paramo clothing – ethically manufactured outdoor gear that is great for camera crews shooting in all weathers
• Diversity behind the camera – see the results of the Zerb survey into the state of diversity in the camera department today

Contents of Zerb 85

Contents of Zerb 84

• Filming charity appeal films – Graham Maunder
• Tales behind the filming of the BBC natural history series The Hunt
• Director John Kirby on why a great relationship with the camera crew is key to successful live OBs
• Lighting refit: Sky Sports News studio
• Underwater filming: using custom-built mounts
• Latest generation cameras from RED
• Drama lighting: GTC workshop with DoP Nick Dance BSC
• Versatile head and jib arm – in action for the 2016 Euros in Paris
• Panasonic VariCam LT – filming badgers at night with the native 5000 ISO
• TLCI: latest news on how TLCI is being used from Alan Roberts
• Happy 70th Anniversary: Zerb pays tribute to Ikegami in its 70th year
• All about the Aurora remote control head
• UV filtration – don’t get caught out by unexpected UV emissions from your lamps, especially in historic locations
• A DoP’s tooolbox: latest range of top-end monitors from Transvideo
• Easyrig Cinema Flex Vest: new for the girls from GTC sponsors Easyrig
• ADAPT TV: recreating a 1970s OB
• Connections, connections – why contacts are all important in TV

Contents of Zerb 83

• The Rugby World Cup 2015
• Corporate – a look at the new opportunities for good quality work in this growth area
• The ALEXA Mini – user reports from documentary, drama and aerial shoots
• Doctor Foster – shot on the Panasonic VariCam
• New from Panasonic, the VariCam LT
• Introduction to the International Association of Wildlife Film-makers (IAWF) – newly incorporated into the GTC
• Filming leopards with camera traps by IAWF member Mateo Willis
• Power and backup in remote situations by GTC member Kevin Augello
• Glass revival: why optical filters matter  – by filter guru Carey Duffy
• Dick Hibberd, Founder of the GTC, remembered
• Bill Vinten – a life lived to the full. Dudley Darby pays tribute
• Steadicam: a roundup of the latest generation models and training
• Kit review: Panasonic AG-DVX200 by GTC member Phil Thomas
• Eye care – what camera crew should know to preserve their eyesight
• Camera preservation – member Nick Gilbey explains how a few enthusiasts are preserving rare historic TV cameras

Contents of Zerb 82

• Gavin Finney BSC on Wolf Hall
• Ballot Monkeys, C4 General Election comedy
• Kliktrak/Kombidolly tracking system from Hillrigs
• Patrick van Weeren – in-house advisor at WTS
• Camerawork and motherhood -–are they compatible?
• Hemingway’s car – Adam Docker on a Cuba shoot
• LUTCalc – by GTC member Ben Turley
• Kit review: Sony PXW-FS7
• Fujinon UA-Series – latest 4K lens technology
• John Anderson talks to camera helicopter pilot Keith Thompson
•  Colin Tomlin of Videosys on designing a new minicam
•  Stornoway-based Alasdair Maclean: becoming a BBC news cameraman
•  How the ExtraShot podcast is the new crewroom
•  KerriKart – an innovative new camera cart/slider
•  Zimbabwean GTC member Jeremy du Toit on relocating to the UK
•  DJI Ronin training at GTC sponsor Off Trax

Contents of Zerb 81

• Epic time-travel drama Outlander
• The Ryder Cup
• Nick Dance BSC interviewed
• 4K toolkit – from GTC sponsors Sony
• The Gimbal Vest from Easyrig
• Still Game – TV sitcom as arena event
• Codex – high-end recording
• Paul Francis: the last cameraman at Camp Bastion
• Springwatch – using multiple remote high-quality cameras
• The new VariCam from GTC sponsors Panasonic
• High-speed developments in slow and ultra motion
• GTC member Mark Print on his triumph over a life-threatening illness
• UCD broadcast – how and when will we see this in our homes?
• The Bill Vinten GTC University Awards
• Spatial movie production – a glimpse into the future

Contents of Zerb 80

• Underwater camerawork
• David Beckham in the Amazon – RED Dragon
• The Brazil 2014 World Cup
• Sky cricket coverage
• The ARRI Amira
• Salford’s digital dockland
• CTBF – the industry’s benevolent charity
• Blackmagic in the desert
• Teaching actors to be cameramen for Alan Bennett’s ‘Enjoy’
• Top Gear
• Lens adaptors
• TLCI News from Alan Roberts
• Airline carry-on baggage rules
• The MoVI rig

Contents of Zerb 79

• BT Sport’s new studios at Olympic Park
• Perils on the seas of Peru
• Light-field cameras
• RIP BBC Outside Broadcasts
• America’s Cup – official film shot on a Sony F55
• America’s Cup: SIS LIVE special cameras
• Miller celebrates 60 years of tripod manufacturing
• Learning to film with a multirotor
• Whatever happened to camera craft?
• Ninjas and Samurais – from Atomos
• Dreamflight – how to get involved with the children’s charity
• RUBI-Radio Mini HD link system

Contents of Zerb 78

• Earthflight – aerial specialist Richard Cook
• Cold Chain Mission
• The TLCI measurement of lamps
• The ARRI L7-C reviewed
• The Sola ENG kit – GTC user review
• Grand Designs
• DoP Charles Lagus, Sir David Attenborough’s first wildlife cameramen
• Gurdip Mahal – lighting director ‘Designing with Light’
• Wireless technology for Steadicam from Boxx TV
• The Skquattro – from The Camera Store
• 75 years of televising the Oxford–Cambridge Boat Race
• Jonathan Harrison on LEDs
• Polecam a novel use in a miniature village
• Young RED user Joseph Hutson
• Camera training at The London Studios
• The Blackmagic Cinema Camera – GTC user review

Contents of Zerb 77

• Isles of Wonder – televising the London 2012 Opening Ceremony sequence
• Coldplay Live – the technology behind the Mylo Xyloto tour DVD
• The camera technology behind Felix Baumgartner’s leap from space
• Filming chimps in the jungle
• Recollections of Hillsborough
• World Without End – achieving a Pre-Raphaelite look for an epic Medieval drama
• Outnumbered – producing naturalistic performances from the kids
• Slow motion camerawork
• Thomas English on the latest generation of Steadicam
• How do you become a cameraman? Advice from three recent entrants into the industry
• Hot Topic – Has camera design gone mad?
• FantasyCam – the perfect ‘cameraman’s camera’
• Emmerdale is 40
• Interview with RTS Lifetime Achievement Award winner Martin Hawkins
• Latest on-camera monitors from Marshall road tested

Contents of Zerb 77

• Televising London 1948 contrasted with London 2012
• Zerb Basics – the technology behind radio cameras
• The Royal Pageant – On board the Spirit of Chartwell and rigging Tower Bridge
• The Bill Vinten GTC University Award
• 4K – Separating the truth from the hype
• How would Canon’s much lauded C300 camera stand up to the rigours of an expedition in rural China?
• Dan Greenway explains how minicams have come to be so omnipresent
• The technology behind the coverage of the progress of the Olympic Torch
• Take it easy on yourself – how Swedish cameraman came up with Easyrig
• The ALEXA family grows up – and then there were five
• Jules Greenway talks about his remarkable career as a cameraman
• Raise the Roof in Kenya – how cameramen and other TV professionals are helping children in Kenya
• Circumnavigating the globe for a corporate shoot
• Power to the pixels – the technology behind the latest generation of onboard monitors explored
• Kit reviews: the Sachtler Ace tripod system and the Ki Pro Mini from AJA
• Nic Holman on filming the restoration of a Lightning jet
• The media behind the mask – should you own a gas mask?

Contents of Zerb 75

• Freeze Frame: A cameraman’s adventurers on ice
• EOS C300 – the latest little camera from Canon
• Undercover – covert filming of illegal hunters and traders around the world
• World War II Heroes – visualising the horror of war
• Compact handheld cameras – GTC road test of the Panasonic HPX250 and the JVC GY-HM150
• What should you know to keep safe in a war zone?
• What will you learn on a hostile environment training course and why might it be the most important training you ever do?
• Minicams – which is the best one for your shoot?
• Forty Years Young: The GTC is 40! How did it all start?
• Pim Korver: ‘Seanest’ – Dutch cameraman Pim Korver on maritime filming
• High and Dry – filming on a tall ship with a team of young explorers
• Driving Wars: How the latest minicam technology captured exciting footage of a high-octane stunt driving challenge
• Open the BOXX – state-of-the-art low latency wireless technology
• Part 2 of Chris Dickinson’s adventures filming in the China
• Video Ghost – a novel phantom powering system for cameras
• Zerb Basics: Codecs

Contents of Zerb 74

• The Royal Wedding
• DSLRs – disappointment or delight?
• In China with GTC member Chris Dickinson
• Self-shooting in Africa with a Panasonic AF101
• Aliasing – an in-depth technical explanation of this problematic phenomenon
• HD on the soaps – the camera decisions taken in the HD upgrade on the UK’s leading soaps
• Cooke Optics – the story of a top-quality British brand
• Argentinian GTC member Martin Errea describes life as a working cameraman in South America
• Syntax makes a convert – Ged Yeates tries out this SD–HD upconverter
• GTC Royal Wedding album
• Zerb celebrates 40 years of Anton/Bauer batteries
• Damage limitation… for your ears only. How to protect your hearing at work
• How cameramen Jim Cemlyn Jones and John Brierley collaborated to release an album ‘All these dreams’
• How to choose the right tripod and head for your shoot
• Introducing Wimbledon Studios, London’s newest studio complex plus GTC sponsors 3D specialists DECODE
• Final Cut Pro X
• IPv6 is coming… are you ready for it?
• Travelling together – GTC members came together earlier in the year to film the Travel of the Photographer of the Year Award Winners exhibition
• John Summers: one of the very first TV cameramen

Contents of Zerb 73

• The Commonwealth Games
• OK Go – the story behind the amazing one-shot ‘This Too Shall Pass’ video
• Shooting 3D handheld in the Amazon rainforest
• An Audience with the Pope – behind the scenes at this large OB from Cofton Park
• ACS SMARTheads
• French lens makers Angenieux’s 75th Anniversary
• Camera review: Sony PMW500
• The Panasonic AG-3DA1 in action filming 3D on an oil rig
• A colourful history – the story of GTC sponsors Rosco
• The Golden Eye of Georgia – report from this festival of camerawork
• Holographic TV – a glimpse into TV of the future
• Hearing without Headphones – PTSD, a health hazard for news crews
• The Rory Peck Trust
• Shooting 3D: how can you tell if you’re getting it right?
• Camera Review: Canon XF305 and XF105

Contents of Zerb 72

• 3D – The next dimension is closer than you think
• 3D rigs for football coverage
• Life on the road as a news and current affairs cameraman
• The General Election 2010
• Mugabe and the White African
• To Argentina via Turkey with The Quails
• Life on the road with the Traffic Cops
• A Bird in the Hand: a history of Vinten in their centenary year
• Bill Vinten remembers …
• Live from Albert Square – behind the scenes when EastEnders went live
• Vortex – how use of the Award-winning vertical rig is soaring
• A New Dimension for Panasonic – 3D from the French Open tennis
• Project Supo: an innovative cross-media teaching approach from Belgium
• Looking after your eyes on set
• One Box: an OB in a box – the story of an innovative flyaway kit
• DITs and DFTs – what do the new boys on the crew do?
• Goalmouth Technology – how Polecam gives a 3D view of football action
• Shooting an SIV on beekeeping

Contents of Zerb 71

• Green Shoots in Africa – David James Foundation
• Filming the world’s longest horse race in Mongolia
• iPhone apps for cameramen
• Dreamflight – helping a charity for kids
• GTC members give to charity
• A short guide to CGI for cameramen
• Beagle’s About – remote cameras go to sea
• Global Crisis – how cameramen can help
• LEDs: the energy-efficient solution
• A look at green practices at Sony’s Pencoed base
• News about the latest generation of digital cameras from ARRI
• A Trip to Tripoli – two accounts of working on a large OB in Libya
• In search of an affordable HD LCD monitor – the JVC DT-V24L3D
• Jeremy Hoare on lecturing down under
• Lenses from Leicester. Dudley Darby visits the home of Cooke lenses
• Ronald Charles Green 1930-2009 – an affectionate tribute to this highly respected and sadly missed cameraman
• Cameraman’s shoulder – and how to guard against it
• HD DSLRs: still developing. Update on the digital SLR cameras
• Making the Cut. David Fox reviews Final Cut Pro 7

Contents of Zerb 70

• Do or Die in New York City – the making of a self-funded documentary
• I Can See Clearly Now … the Sony PDW-700
• Filming with the Yorkshire Air Ambulance
• Panasonic AJ-HPX3700 reviewed
• Aerial Filming: How safe are you?
• Can you really shoot HD on a digital SLR?
• How not to light a sitcom
• The GTC Awards 2009
• The story behind ITV’s Country Ways
• Tips of the Trade: Focus and Exposure
• X-Mo Super Slo-mo – slow-motion image capture at its best
• JVC GY-HM700 – a really well built budget camera
• MX02 – Digibeta quality edit suite in a bag? A truly portable edit solution
• In search of an affordable HD LCD monitor – the JVC DT-V24L3D
• Battery low, lights dim, picture intermittent – are you looking after yourself?
• Why Polecam is an ideal tool for 3D shoots
• Step by step guide to producing and marketing a special interest video

Contents of Zerb 69

• Multicamera coverage of the Beijing Olympics rowing
• Flycam – how to achieve spectacular overhead tracking shots
• Starting Out – real life stories of how GTC members became cameramen
• Polecam: lightweight jibs at the Olympics
• The planning behind the Beijing Olympics OB
• Liverpool Nativity: the story behind the massive award-winning live OB
• The other side of the track: how to track the horses
• A Day at the Races – the low-down on ACS’s specialist camera systems
• F35 – digital film expert Dan Mulligan on Sony’s latest top-end camera
• HD in Scotland from HD specialists Midas Multimedia
• A progress report and user views on the innovative RED
• Diary of a young cameraman – Part 1 of James Fulcher’s story starting out
• Putting the Sony EX1 through its paces in Afghanistan
• Video 125 – the story of a highly successful ‘niche’ production company
• Need finance for your new camera kit? Advice from specialists Fineline.
• Time Scupture: the story behind an extraordinary 200-camera shoot

Contents of Zerb 68

• The London Mayoral Debate – producing a major OB at short notice
• Nigel Meakin on shooting Michael Palin’s ‘New Europe’ on HD
• Visit to the lens specialists True Lens Services
• Filming the bears of Romania
• The story of sending pictures from the Moon for the Apollo programme
• FCP training – two approaches to getting to grips with the Final Cut suite
• Click – BBC News 24’s technology show
• Kosovo – filming when Europe’s newest state gained independence
• The latest on the tax status of freelance cameramen
• Polecam in the Arctic – filming walrus and seals in the frozen north
• Sony PMW-EX3 reviewed
• Multi-camera operations in a surgical operating theatre
• Relocating from Zimbabwe – starting all over again in the UK
• RoscoVIEW reviewed
• Panasonic AJ-HPX3000 reviewed
• The work of the BFI’s National Film & TV Archive

Contents of Zerb 67

• Keith Massey on how to survive in the industry
• Five events that changed the course of TV
• The Vortex aerial camera mount system
• Broadcasting over the internet
• ‘Top Gear’ in the Arctic and filming the audience show
• Coalhouse – reality TV in Wales
• Cycling special – aspects of cycling coverage
• Final Cut Studio 2 vs Creative Suite 3
• Laurie Gilbert filming in Thailand
• Decade by decade – perspectives from six generations of cameramen
• Facilities and rentals – how to get the best out of these companies
• Source2sea – an account of filming this challenging team-building exercise
• LED lights come of age
• How to work out which luminaire will give you the right amount of light
• Which format – choosing the best format for the job
• Zerb Basics: Depth of Field

Contents of Zerb 66

• Paul Stewart on living and filming on the Galapagos Islands
• Time-lapse photography
• Filming the Battle of Britain Memorial Flight
• GTC – the first 35 years
• BBC – the Digital Media Initiative
• P2 – Andy Portch on using the Panasonic format in China
• ‘Pobol Y Cwm’ – goes tapeless
• Momin Javaid: impressions of using XDCAM HD for the first time
• ‘Time Team’ – through the ages
• What’s it like to be a staff cameraman at the Chernobyl reactor site?
• Silent Witness – shooting on the Arri D-20
• ARRI: a celebration of the company’s 90 year history
• Sony Vegas 7 reviewed
• Mako Head – keeping a level horizon on the high seas
• Zerb Basics: A Glossary of HD Terminology
• Book review: Inventing Digital Television: The Inside Story of a Technology Revolution by Martin L Bell

Contents of Zerb 65

• Peter Eveson on why TV cameramen are ideally skilled to shoot HD drama
• John Adderley on filming a time-lapse artwork
• Jimmy Jib in the Arctic
• How CMOS sensors work and what they can do
• Tony Grant on the skill of improvisation: lighting
• Hogfather – Sky’s biggest drama commission to date
• Filming in Africa for a wheelchair charity
• What does it take to be a cinematographer?
• Camera sensitivity: SD vs HD
• Filming against windows – tricks of the trade
• Crash testing for dummies – high speed photography at Thatcham
• Video Ark – ensuring archive video footage
• XDCAM HD reviewed
• Zerb Basics: Lighting 3 – The Great Outdoors

• Laurie Gilbert: on Mt Merapi during the Indonesian earthquake
• Aerial cinematography over Everest for ‘Planet Earth’
• Sky’s first HD documentary
• Total eclipse of the sun in Libya
• Grass Valley Viper on ‘Last of the Summer Wine’
• Viper: Filmstream Ultimatte HD
• Filming an ascent on Mt Everest
• Live and Learn – we all had to start somewhere!
• The HD jungle – guide to the current crop of HD cameras
• Filming for charity in The Gambia on a Sony HVR-A1E camcorder
• Camera menus – a user guide
• Health and Safety at Work – what all cameramen should be aware of
• Report from the 2006 HD Masters Conference
• Zerb Basics: white balance

• Using Edwardian technology to film modern London
• Visually Inarticulate part II – Jamie Cairney on shooting ‘The Thick of It’
• ‘The Green Green Grass’ – HD sitcom
• Alien Revolution (AR) – camera stabilization
• In conversation with … John Simpson
• Jonathan Young on filming in hostile environments
• John Tempteton – in Iraq
• News from the Channel Islands
• Streaming for cameramen
• When the going gets rough – coping with the nightmare shoot
• Grass Valley Infinity – a new format
• JVC GY-HD100 reviewed
• Jeremy Hoare takes on a multi-camera shoot after a gap of 21 years
• Zerb Basics: Lighting
• Book Review: The Focal Easy Guide to Final Cut Pro

• Tsunami: the disaster and the aftermath
• In conversation with… Sir David Attenborough
• Around the world with Michael Palin
• Diary of ITN’s general election coverage
• ‘Tribe’ – Tim Butt on filming cannibals for the BBC
• HD lenses – how do they differ from SD?
• Mailbox – BBC Birmingham’s new home
• How do directors choose their crew?
• Career change – starting out at Ravensbourne College
• Richard Hookings on using Polecam at the Athens Olympics
• Are you insured? Things to check before you shoot
• Digital Production – a new approach to ‘collaborative workflow’
• Final Cut Studio reviewed
• Zerb Basics: Exposure
• Book Review: Practical Cinematography
• Book Review: The Camera Assistants Manual

• Account of a horrific helicopter accident while filming with Ray Mears
• Operating remote cameras
• Christian Parkinson on working as a ‘Broadcast Camera Journalist’
• Shooting Partners test out P2
• Clothing for extreme conditions
• The HD future – views from camera manufacturers and experts
• Sony HVR-Z1E – reviewed
• Panasonic AJ-SDC905 road test
• David Fox visits the Breda factory
• The future’s bright – latest lights
• Panasonic DVX100A – reviewed
• DV Rack software tested
• Motion – Apple motion graphics software review
• Zerb Basics: Widescreen framing issues

• Moving On – Is there life after camerawork?
• How filming techniques have changed over time
• Music in Mali – travelling to the middle of nowhere to film an amazing festival
• Russian Ark – the ultimate Steadicam shot
• Lord Puttnam interviewed
• XDCAM road test
• Filming ancient sports in Asia on HD
• Virtual reality studio
• Farewell to the ride-on cranes
• Excess baggage – the scourge of overseas shoots
• Kisslite – a camera mountable ring light
• G-PIXX – the helicopter built for aerial filming
• DV – the pros and cons of the low cost formats
• Zerb Basics: all you need to know about zoom lenses

• Commonwealth Games 2002
• Digital wireless camera systems
• OB in Nigeria – filming the Queen
• In conversation with Dave Alex Riddett
• Muddied but unbowed – filming underground
• Garrett Brown – The Moving Camera Part II
• Military cameraman
• The Hospital – London’s newest facility
• Griptech – starting up an equipment hire company
• TV returns to East Timor
• Book review: Location Lighting for Television by Alan Bermingham
• Tapeless camera systems
• A look at some TV technology ideas that didn’t quite make the grade
• KE Remote Systems – a profile of the Aussie crane company
• Zerb Basics: Setting up your viewfinder

• The Grand Zerb lighting challenge – 6 experts choose a £1000 lighting system
• The role of the military cameraman
• River to Heaven – Laurie Gilbert in India
• How to make money from your old footage
• Uploading video to your website
• What does the colourist like to see in your rushes?
• Achieving the required look in camera (rather than post)
• A guide to some of the effects that can be achieved in camera
• Garrett Brown – The Moving Camera Part I
• Steadicam – learning to use the rig on an intensive three-day course
• Mac v PC – which is best for editing?
• Final Cut Pro 4 – software review
• The Twic Olympics – filmed in Sudan
• Dmist – a solution for misty pictures
• Polecam – the story of how this lightest weight crane evolved
• Book Review: Audio for Single Camera Operation
• High Definition movies – CineAlta HD cameras
• Sony HDW 750P: road test
• Adobe After Effects – software review
• 360º imaging – the BBC’s ‘Where I Live’ project
• Getting the film look on tape with Panasonic’s AJ-HDC27 HD camera
• Zerb Basics – Monitors
• Book Review: High Definition and 24P Cinematography by Paul Wheeler

• 30 Golden Rules of Camerawork
• A tour of America for GTC member Karl Lear
• DoP Chris Menges interviewed
• Richard van Nijnatten – in Norway with NATO
• Paul Wheeler on the mistake of cutting crew sizes
• Digi-Mitchell – bridging the film/video divide
• Peter de Jong on future-proofing movies
• Wildlife cameraman James Gray
• Optimising the hit rate of your website
• The Mole Crane – 45 years and still going strong
• Brian Sinclair on the art of editing
• Biological Weapons: what should you know about bioterrorism?
• The Thomson Viper: a grade above the rest? by Geoff Boyle
• Zerb Basics: Filters

• Stephen Northcott on the art of the camera flyer
• Laurie Gilbert gets his HUET certificate
• Desmond Morris – interviewed
• Filming vocanoes
• Highly Defined: the CineAlta
• Charles Teton on shooting with DVCAM
• Shooting a feature film on HD
• Canon HD: New prime lenses
• HD review: Ikegami HdK-790D
• From one extreme to the other with cameraman Malcolm Ludgate
• Kayak Crazy: Exhiliarating camerawork in extreme conditions
• Rhys Williams travels the world following football
• Zerb Basics: Aerial cinematography from Laurie Gilbert
• Fibertec – the new lightweight tripod from Vinten
• Kit Review: the Red Eye wide-angle adaptor
• Emtec: A visit to a tape manufacturer in Germany
• The Whys and Wherefores of HD
• That Elusive Film Look
• Non-Linear Editing: The first step
• A Closer Look at High Definition TV
• Easy Rider – gathering news on a motor-bike
• Testing, testing… the Sony MPEG IMX

• Afghanistan: In the line of fire… by Julie Ritson
• Making Waves – on the Blue Planet
• Afghanistan: For a few dollars more
• Mini DV for mainstream broadcast
• Stormchaser Alister Chapman on selling footage on the web
• How to make a pain-free insurance claim
• Fact or Fiction? by past GTC Chairman Peter Ward
• Court artist Elizabeth Cook on working with news crews
• Two Man Crews – a dying breed?
• Trevor Baylis – interviewed
• Training crews in Sierra Leone
• Get the right vaccinations for your foreign shoot
• Back to the Front – Life in the trenches
• Zerb Basics – Equipment: hire or buy?

• The GTC ballot on whether we should change our name
• Mac Suibhne on the General Election
• The lives and views of three camerawoman
• Filmmakers for Conservation – by Chris Dickinson
• ‘Handy Andy’ interviewed
• We’re All Broadcasters Now – by Christina Fox
• The latest industry-based course from Ravensbourne
• Camerawoman Beka Dilworth on becoming a Steadicam operator
• Lighting up the Dark Continent: The work of the Mohammed Amin
• Foundation in Nairobi
• Ged Yeates loses his luggage in Romania
• Magnetic Tape: Do you know how to look after your tapes?
• Zerb Basics: Paul Sampson on non-linear editing
• Pangaea: A new ‘Bed and Edit’ facility in Devon

• Laurie Gilbert goes supersonic with The Turkish Stars
• David Hands on working and keeping safe on the streets of Israel
• Rolf Harris – interviewed
• Paul Osborne on the potentially excellent DV format
• A–Z of digital terminology
• The latest widescreen DV cameras tested along with a tripod and head from Vinten
• A day in the life of a news cameraman in… Asia
• Spin that really works – how to keep your lens dry in the rain
• The new camerawork – deliberately or really incompetent?
• A revolutionary new field editor from Brick House
• Mark Capstick on why you shouldn’t overdo negative gain
• Alister Chapman: storm-spotting in the USA
• The widest lenses from Fujinon and Canon compared
• Rene Collins shoots hi-def in Brazil
• Zerb Basics: Sound for the Single Camera Operator – Part 2

• What’s in your kitbag?
• A wide angle on Ground Force
• Mostyn Price at the North Pole
• Gerald Kaufman – interviewed
• Cee Vee Central – selling yourself on the internet
• Desktop editing – does a cameraman need it?
• Roger Bolton on BECTU
• Creating the look in camera – Geoff Boyle on filters
• The post-production house ‘Wizardry in Soho’ shares a few of its secrets
• ‘Live’ from Westminster – televising and lighting Parliament
• Zerb Basics: Sound for the Single Camera Operator – Part 1
• Hostile environments: Are you ready for them?

• Millennium Moments – how we spent Millennium night
• Later than what…? – behind the scenes on the show that takes its music seriously
• Kirsty Wark – interviewed
• Pete Kelly and Des O’Hare shoot children’s drama on a budget
• Advice on buying your own kit from industry experts
• What every cameraman should know… about Electricians
• How coverage of the new Welsh Assembly and Scottish Parliament comes to our screens
• Developments in Robotic Camera Control
• BBC thirty-six camera skiing coverage in Austria
• Could a Swedish invention for hand-held camera filming mean the end of back trouble?
• Getting trained to cope in an emergency
• Road-testing JVC’s GY-DV500E
• Zerb Basics: The digital camera menu
• Peter De Vries turns Summer into Winter with Digital Betacam

• Chris Yacoubian on using minicams in South Africa
• A walk up dream street with Caroline Wilson
• Alastair Stewart – interviewed
• Osteopath Jane Wheeler on keeping your spine in good shape
• What every cameraman should know… about Sound
• Mike Audick reports on shooting a Husky race
• How a cameraman can become a director/producer
• David Smith reveals the secrets of shooting a feature on tape
• The most helpful sound books for cameramen
• Tested – JVC’s new DY-90 digital camera
• Zerb Basics: Timecode
• Book Review: Timecode: A User’s Guide by John Ratcliff
• Darrell Thornton on the innovative lighting techniques used on Holby City

• Watching the Birdies with Bill Oddie
• Paul Riley on shooting aboard a submarine
• Mike Wood reflects on shooting Floyd Uncorked
• Norman Ormal: Creating History with Harry Enfield
• Training Tomorrow’s Professionals
• Stress for cameramen and what to do about it
• Lord Puttnam – interviewed
• Book review: The Undeclared War by Lord Puttnam
• Film and Video: a marriage made in heaven?
• Zerb Basics: Lighting in the Dark
• Peter Ward talks about writing manuals for the industry

• How the BBC is dealing with the transition to widescreen
• Tackling the forest fires of South-East Asia
• Andi Peters – interviewed
• What every cameraman should know
• Zerb Basics: Lighting for the Single Camera
• Dave Lawson compares the training he received to what’s available today
• Part 3 of Mike Winser’s memories working around the World
• Paul Bowen on the madness of the sportsmen taking part in the Winter Olympics in Japan
• JVC’s latest cameras tested
• The history of Fountain’s Studio 5 at Wembley

• Steve Hall on covering the funeral of Diana, Princess of Wales
• Experiences while covering the Big Cat Diary
• A look back at the career of Ian Stanley
• What every cameraman should know
• Michael Palin – interviewed
• Teletubbies – how it all started and some of the secrets from begind the scenes
• Multi-Camera Camerawork by Peter Ward – reviewed
• Brian Cave on his coverage of orpahns in Romania and how he continues to help them today
• Oceanic UK’s underwater image making studio
• Zerb Basics: Exposure
• Part 2 of Mike Winser’s memories working around the World

• A look back at the first Guild Council 25 years ago
• Laurie Gilbert chronicles a shoot in Vietnam
• Michael Bond on his days as a BBC cameraman
• Dave Rogers avoiding housework in Africa
• Michael Buerk – interviewed
• Peter Hodges on the move towards digitalisation
• Training Focus: Extending one’s skills, View from the Trainer and Once a Cameraman…!
• Val Sawdy reflects on the problems of her pregenancy pause
• Colour Viewfinders – the debate goes on
• 25 Years of TiCA
• Looking back at the challenges in the early days of the Guild
• Part 1 of Mike Winser’s memories working around the World
• Peter Davies recalls making a medical documetary in Wales
• Is the Big Screen coming into the home and should you be prepared for it?
• Tony Grant clarifies the art of White Balance

• Does the HSE include cameramen in their calculations?
• Can camerawomen afford to have children?
• SX Camcorder – reviewed
• Jack Cardiff – interviewed
• Father Paul’s confessional – stories from the Pros
• Steve Hall looks at the list of new digital formats
• A look back at the life of Mohammed Amin
• Dicky Howett meets Bill Vinten
• Tim Felstead on CCDs that switch aspect ratio from 16:9 to 14:3
• Paul Hirons gives an account on his company’s past, present and future
• Howard Dartnell on life on the road as a lone news cameraman

• Rhys Williams – a welshman abroad
• The stories behind staging Les Miserables
• A look at the latest camera operating techniques
• Vinten’s Fulmar pedestal scoops another award
• Mark Print on how Mini-cams can be successful
• Dicky Howett inside Sammy’s
• The man behind the National Musuem of Photography, Film and Television
• Sky Football – on the road with Ron Seeth
• Book Review: Picture Composition for Film and TV by Peter Ward
• Phillip’s unique approach to 16:9 switchability
• Laurie Gilbert’s secrets to success as a freelancer
• Father Paul’s confessional – stories from the pros

• A look back to the pioneering days of television operation
• The Evolution of Steadicam
• A combat cameraman’s view of the Vietnam War
• Leo Dickinson talks about filming on Everest
• The truth behind British TV – from Canary Wharf
• Skillset – NVQs demystified
• The case for keeping analogue processing in cameras
• Scentsurround – an exclusive preview
• Trouble shooting Health and Safety concerns
• A glimpse into the future of cameras
• Battle of the Aspect Ratios – the Widescreen debate continued

• An assistant cameraman’s POV working in the Atlas Mountains of Morocco
• Dicky Howett on restoring ancient TV cameras
• On the Edge – An insight into working in dangerous situations
• How Widescreen Video Cameras can take us closer to filmic style
• Brian Madison takes a look at the life of a Freelance Cameraman
• Peter Ward considers Video Journalists, the role of a cameraman and the current state of the industry
• Improving the reliability of rechargable batteries
• What do ‘Widescreen’ and ‘Digital Television’ really mean?

• Demand for crews is up, but can the quality flag keep flying?
• Pete Ward sees red of the topic of black-and-white Viewfinders
• Frank Biffone on making an antipodean documentary
• How BBC News is tackling new technology and new challenges
• Ben Cope talks about the human eye
• Dutch cameraman Pim Korver – interviewed
• An insight into a cameraman’s wet weather gear
• John Sharp on why he would go back to America if he had the chance
• Pye – a piece of television history
• A tribute to Bernard Hesketh
• Tony Grant discovers Calmar Filters and picks up some tips along the way
• An encounter with Ikegami’s ‘cross-eyed camera’
• Chairman-torial – fighting to improve the Art and Craft of Camerawork

• Shooting a Hi-8 documentary in Southern Sudan
• Tony Grant checks out the ‘bells and whistles’ available for portable cameras
• Andy Hall returns to the ‘Street’ he left many years ago
• Getting into television – the crisis in training
• Mike Winser – interviewed
• Lamps – cold lighting for hot results
• Car insurance hazards
• Rugby coverage of television
• News coverage on both Film and Tape
• A Stills Photographer’s view of the Television Cameraman
• The volunteers who provide a hospital television service
• Bob Ewens in Istanbul
• Dicky Howett remembers the EMI 203
• A report from a Guild workshop on ‘Going freelance’
• Police television – Mark Berners and the Essex ‘Bill’

• Graham Jaggers shoots drama in the Hebrides
• An actors view from the other side of the camera
• Stephen de Vere on spending a year in Antartica
• A year ‘on call’ filming Salcombe lifeboat crew
• Anchor Marine Services explain why they are a must for production companies filming at sea
• Alan Jessop on travelling around Europe for the BBC
• The Guild’s 21 years communicating with equipment manufacturers
• The work of Peter Parks, world expert in Cine-photomicrography
• Tales from two months covering cricket in India
• A Helicopter Tale – Rex Palmer’s lucky escape
• Reg King looks back at his earliest encounters with the industry
• John Wykes makes the most of current frequency allocations and equipment options

• The Guild’s 21st anniversary
• Year by year highlights of the Guild between 1972 and 1993
• Dick Hibberd speculates on the future of the Guild
• Gallery from the 1993 AGM
• Guild Awards
• BAFTA Craft Awards

• The future of the BBC – the Guild’s submission to the Department of National Heritage
• The story of the British expedition that sent live pictures from 18,000 feet up Mount Makalu
• Michael Starks on how ‘Producer Choice’ works
• Sid Perou shoots in the air and below the ground
• How Ian Savage picked up a small, desirable job
• Crawford Telfer on working for the Christian TV Association
• Community TV in Brazil
• The secret of Video Diaries
• The life of a freelance cameraman in Holland
• Gary Buck travels the world with Hi-8
• The birth and death of Eldorado, through the eyes of a cameraman
• Steve Cowin on training engineers in Asia
• The views from a casualty of the latest BBC reorganisation

• How the race was won to manufacture and install dozens of remote heads in time for the Barcelona Olympics
• A cautionary tale about the threat of back pain
• Dick Hibberd reflects on changes affecting cameramen over the last 10 years
• Ira Tiffen’s Guild workshop on Filters
• The history of the Vinten family business
• The 1992 Open Golf
• Laurie Gilbert talks about his work in New Zealand, Australia and Europe
• A report on the ambisonic sound demonstrations given at the HDTV symposium in Dublin
• Reviews of a large range of lighting books
• Peter Bower on his involvement in one of Spain’s first HDTV studio productions
• Keith Gibson talks about covering golf

• 1991 – The year of change
• Stuart Bush on the Jimmy Jib
• Mohamed Amin – interviewed
• Graham Maunder on a difficult 1991
• Russians lighthearted search for the Loch Ness Monster
• Learning some lighting tricks from old masters
• Alan Cooke’s journey to create the ultimate battery belt
• Martin Hawkins returns to Siret one year on
• Diary of a Challenge Anneka location manager
• Graham Brown’s lighting approach to Brookside
• Mike Dugdale risks his life twice in one day
• Audio facilities – how redundancy lead to success

• Differences between video and film camera outputs
• VICAL – calibration device for location video shooting
• Two independent film makers begin to blossom
• Travelling through India with Bobby Robson
• PAG and Anton Bauer explain the Ni-Cad battery
• 25 years of Mark Roberts Film Services
• The use of carbon fibre in the Apogee motion control rig
• Proposals to ensure predictable standards for all location cameras
• A news editor’s experiences in Kuwait during the Gulf War
• On the move – Cover by FIMBRA
• Camera coverage of Branson and Lindstrand’s hot air balloon flights
• A history of NASA’s use of television in space
• A Welsh Soap that records each programme on the day of transmission
• One man’s experiences of Technocrane

• The past, present and future of BBC TV OBs
• A rough guide to the foreign shoot
• The joys of working with silver rather than rust
• Mike Winser on the Africawatch Pre-shoot
• How the live Africawatch transmissions were covered
• Charting the development of the BBC’s Radio Camera alongside a cameraman famous for digital communications
• A television teaching trip to the Kingdom of Brunei
• Rendezvous in Romania
• The technology behind the BBC’s Cordless Camera
• Cinevideo’s Robin Tomlin – interviewed
• Clive Lovell contacts his optician
• Keith Gibson on Bi-focals and looking after your eyes

• Making a programme with the Awfully Nice Video Company
• Scorpio – shooting video 3000 feet below sea level
• Slim MacDonnell on being an underwater cameraman
• Ron Green on working with HDTV
• Overcoming the problems of filming Traffik
• A look at the achievements of Pierre Angenieux
• Behind the scenes of Greater Manchester Police’s training school
• Whitbread around the world – filming yacht racing
• Extracts from Mike Blakeley’s diary while in deepest Ethiopia
• What is it like for an Englishman working for a Dutch facilities company?
• The story behind a documentary on skiing with the physically disabled

• A look at Sony’s DAT portable audio recorder
• Birdwatch – a cliffhanging story
• Ian Lewis pays tribute to Peter Wayne
• David Hahn looks at some of the latest equipment
• David Matthews talks about filming in Africa
• The story of Dave Hatter’s fight against blindness
• Neville Smith on communist Albania
• Recent developments of the Betacam SP format
• A look at the first year of independent company ‘Young Productions’
• An introduction to the work of environmental media charity Media Natura
• Covering a winter sports endurance competition
• Jon Wensley talks about working on a Moscow OB
• Keith Gibson on framing for the 16:9 HD aspect ratio
• Keith Salmon on some amusing incidents covering live drama

• Covering the Comrades Marathon
• Celebrating Concorde’s 20th anniversary with the BBC
• Ravensbourne – Training for the future
• Two Guild members at Montreux 1989
• A look at Ted Churchill’s Optex Steadicam course
• Jill Ranford’s impressions of the course
• John Barlow’s Commonwealth Relations Trust trip to India
• Some memoral moments travelling through India
• 30 years of the Film and Television Institute of India
• The making of the first Eureka HDTV programme
• The current state of Sony’s HD video system
• ZIT – Pebble Mill’s alternative to Zerb
• SSVC – entertaining troops around the world
• Holgar Dohn describes the magic of Vinten’s Merlin Arm
• CCDs – how they work and the latest developments
• A Dutch cameraman scales new peaks with a Philips LDK 90
• The story behind BBC Newcastle’s old and new headquarters
• Video Stills Cameras
• Martin Hawkins mourns the death of Limehouse Studios

• Salute to John Duncum’s work for Zerb
• Visiting the North-East’s open air ‘living’ museum
• Chris Kelly – taking the first steps into writing for television
• Marking 100 years of Barr and Stroud
• A look at the RSPB film unit
• Still life – A bird’s eye view of a cameraman
• Ian White on covering cycling for television
• David Petrie charts the careers of two men who have spent most of their working lives with Vinten
• The background of ITV’s ‘Get Fresh’
• G.S.A.P. – An interesting use for a cartridge camera
• Martin Petit takes a busman’s holiday in Japan
• A look at film in Japanese TV
• Montreux and all that Jazz
• Poland – behind the curtain

• New Techniques in TV drama production
• Content v Technique and Film v Tape debated
• Single or multi-camera shoots?
• Single camera studio drama productions
• Brookside – revolution in UK ‘soap’ production
• 1984 TiCA Awards
• Classic shots by the master of the crane
• The television cameraman in 1936
• A cameraman’s view of the 1953 Coronation
• Colour V/F – Dream or Reality?

• A tribute to Dave Swan – by Barrie Dodd
• The pitfalls of shooting video drama
• Mainline cameras – The Future?
• The first video pictures from within a british deep coal mine
• Tonight – one part of a ‘Two-way story’
• Getting the best out of a helicopter shoot
• In Hong Kong – That’s just not Cricket!
• The colouristaion of black and white movies
• Heart attack – a personal point of view
• Tony Maynard – cameraman
• On tour on a motorbike
• Telstar – a brief history of the Goonhilly Satellite Earth Station
• The Granada TV studios give their first impressions of the Ikegami 323
• Network 7 – the lowdown on angles
• Freelance cameraman Tony Keene on the perils of answering the phone
• A video drama using Prime Lenses

• Swedish TV’s remotely controlled submarine
• Roger Bruce – the wrong side of the lens
• The different working environments experienced by one freelance cameraman
• Zerb photographic competition
• A cameraman’s view of all that was new at Montreux ’87
• Getting to grips with Steadicam at the National Film and Television school
• Geoff Feld on the past, present and future of video camerawork
• An operator’s perspective of HD television
• BTS LDK90 – reviewed
• Why did Granada’s ‘Flood Tide’ look so filmic?
• Remote control cranes
• Steve Wood investigates Chapman’s crabbing crane dolly
• How a Granada TV prgamme prompted Reg King to tell us all
• AGM 1987
• Ron Seath talks about working on the first Western programme broadcast in the USSR
• Montreux diary
• Richard Lindsay of W. Vinten explains the principles behind the vision range
• Walter Lasselly’s autobiography – reviewed

• Tony Grant looks at operational camera requirements
• Keith Salmon – 1986 TiCA Craft Award Winner
• Recording Torvill and Dean’s ‘Fire and Ice’
• Russelll Baxter on working in two very different climatic conditions
• Harefield Hospital Television
• The work of London Fire Brigade’s cameraman
• The early days of TV sound
• How the Philips LDK 90 was designed
• ZIT – The National Association of Camera Assistants
• Duncan Richmond talks about a ‘live’ parachute descent
• Tyne Tee’s cameraman Brian Madison not knowing his left from his right
• Brookside’s Alan Marsden and the Merseyside wonder
• Training TV cameramen at the BBC
• TV pictures from occupied Paris
• John Henshall unravels the mystique surrounding filters
• Paul Kay remembers his experiences with the Mole Crane
• CCD Betacam
• David Petrie talks about handhelds in large mountings
• Tony Grant’s views on lens specification
• Israel’s educational TV
• LWT cameraman Andrew Vale with his views on the future of the industry

• Chairman Lawrie Duley on the Guild of Television Cameramen
• Schoolboy Simon Leigh spends a day with an OB camera crew
• Mike Winser does location drama much justice
• Cameraman Jill Ranford
• Hans Essenberg on covering an ice skating tour
• TV Optics – Canon’s guidebook
• Reg Neadles talks about Elstree Aerodrome
• Harry the RAF pilot on filming for QED
• A tribute to Sir Huw Wheldon
• The odd couple – David Sparks and Peter Garland
• Sexy Folies
• Aaron Ben-David and the West Midlands Fire Service
• Data Protection Act – How the Guild and Zerb keep their noses clean on your behalf
• Will BBC producer John Shrewsbury ever forgive cameraman Nick Jordan
• J. Kingston Platt remembers Hal Minchingtrope and actor Peter Jones knows them both
• Reg King reveals his kinky past
• Ron Green talks about cranes
• A Man with a Heavy Camera
• Camerawork – Kiwi style!
• Chris Owens gives his views on the Periscope Lens Attachment

• Night vision broadcast quality cameras
• BAFTA – Biased Awards For Television Artisans?
• Fuji 44x Zoom Lens
• North of the Himalaya
• ATN 7 Sydney cameraman Peter Westley on Racecam
• The 1986 GTC council members
• Is there life after ATV?
• A Graphic Account from graphic designer Don Baker
• Community Carnet – Free of charge bureaucracy
• Vari-Lite – The beginning of sophisticated lamp control?
• Zit
• Sony BVP 360 – reviewed
• Safety – It is your concern or your neck!
• Merry Christmas, Mr. Maunder!
• Two LWT cameramen take a backwards drive

• Dave Maxwell ‘shoots’ with the stars
• Holography
• Supervisor aptitude test
• Montreux 1985
• Oman – Another tight squeeze by VisionsMobiles
• Live Aid 2 – The greatest media event ever?
• Live Aid 3 – Harvey Lee, TV critic, gives his views
• Let’s take safety seriously
• New Zealand – Country GP
• Giacomo Cerina finds out about Sony’s HD TV system
• Viewfinders – as two cameramen see them
• Batteries – the final word?
• Film vs Betacam
• ENG cameras

• TiCA Awards
• Roy Simpler looks back at ATV Elstree
• Philips LDK 54 – reviewed
• Limehouse Studios – Life in a facility company
• The chairman of PAG Ltd talks about batteries
• The Economics of Television Productions
• Miles Kington examines the mounting of cameras
• Working on the Coronation OB
• Helen Kingsbury describes her days as a camera trainee
• Jane Osbourne writes about the ergonomics of camera design
• Tony Grant gives the update on viewfinders
• The Old Man of Hoy – Selwyn Cox reviews the latest BBC climb
• Donald Aldous tells the story of the BBC’s first commercial competitor
• Captain Christopher Spencer faces the dangers of ice bergs and Central TV in the filming of ‘The Last Place on Earth’
• Guild AGM 1985 details

• Graham Maunder gives an insight into Skycam
• An update on the facilities available on the Goodyear Airship ‘Europa’
• Bruce Miller on ‘Heli-Tele’
• Helicopter pilot Capt. Eric Brown talks about the relationship between a cameraman and his pilot
• Geoff Thomas on covering boxing
• Sports director Jim Jennett talks about working on both sides on the ‘pond’
• Underwater film and video techniques
• Jim Day recalls working on the D-day celebrations
• BBC calling – The secret war of Charles Fraser-Smith
• Paul Graham describes the thought behind designing his camera trolley
• A contrast in camera techniques between the 1936 and 1984 Olympics
• Lawrie Dudley describes how he saw Lime Grove enter the TV era
• What can you say about batteries?
• Inside CBS operations

• BAFTA cameraman nominations and awards
• John Henshall speculates on future camera design
• The use of TV cameras for motorway surveillance
• Techniques which will enable computers to analyse video pictures
• John Duncum on covering the Sarajevo winter olympics
• Donald Aldous visits the National Museum of Photogrpahy
• Alan Martin recalls the early days of Lime Grove studios
• How Francis Ford Coppola uses ‘video assist’ in film production
• Dick Hibberd writes an open letter to international members
• Dave Davies on restoring a steam road roller
• Hitachi SK-110 – reviewed
• The definitive viewfinder specification
• Laurie Quayle on editing South West Week
• Peter Ward reviews a new report on HD television systems

• Television cricket – Kiwi style
• GTC AGM 1983
• Peter Ward argues that TV should be a converstaion with the audience
• The move to FEP
• John Henshall on lighting
• Page and a pram – a true story
• Zerb magazine – a case study
• Nigel Reynolds, owner of Redapple, talks about how he and his partner found the cash to start their own company
• A tribute to broadcaster Stuart Hibberd
• Draft outline specification for viewfinders – part 2

• Robin Sutherland talks about filming from the back of a motorbike
• Keith Salmon on working on ‘Boys from the Blackstuff’
• Video – Creative stumbling block?
• Paul Cheary on macro/micro photography
• Lighting training methods – past, present and future
• Television producer Heather Mansfield talks about ‘Brookside’
• The effects of a TV series on the police force
• Richard Pilbrow – a personal story
• Ex-cameraman Tony Swain talks about following his dreams
• Bill Vinten on his past and plans for the future
• Draft outline specification for viewfinders – part 1

• Zerb’s 10th anniversary
• The EBU strive to standardise
• Mervyn Wilson talks about his years in the film industry
• Bob Coles of Tarn describes a rather amazing commerical shoot
• Tribute to John Tonge MBE
• Dave Ballantyne talks about the BBC’s lighting training
• Never marry a cameraman unless…
• Correspondance between cameraman Dave Hunter and Bill Vinten of W. Vinten. Ltd
• Dave Crawley talks about electronic graphics
• J.C.A Chaimowicz on the basics of light measurement
• Does TV impacts a hostage situation?
• Michael Collcutt on the changes occurring within the TV industry
• Bruce Miller talks about a rather clever helicopter camera mount
• The American market excuse
• RCA TK47 – reviewed

• Light-weight portable cameras and the changing future of video
• Underwater wonderland – TV underwater
• The new two man low angle dolly from Vinten
• The story of Mark Hume McCormack
• The British Amateur Television Club
• Peter Mcintyre – interviewed (part 2)
• Barry Stevens answers some FAQs on video editing
• Is the TV industry heading in the right direction?
• Peter Ward suggests TV has lost its ability to discriminate between fiction and reality
• Maurice Gorham on the struggles of re-opening the British Television Service after the war
• Paul Harding talks about working on the BBC’s ‘Triangle’
• Why is make-up so important?
• Mike Winser talks about his life

• A look back at Mike Soloman’s time as chairman of the guild
• The dangers of working near microwaves
• Live on the rocks – filming climbers
• The Open University – Student and Teacher P.O.V.s
• Peter Mcintyre and his LVP company
• Aspheric optical surfaces
• The Adventures of Niko – competing against the big boys
• New Guild chairman Lawrie Duley takes a trip down memory lane
• The Cost of Camera Mobility – New possibilities
• Bill Barry on Ireland’s national radio and TV service
• Tim Watson of Westward TV recounts a trip to India
• How do you get a journalist’s job in radio or TV?
• Mike Solomons and two colleagues visit the Angenieux lens factory
• Simon Fone on his time as a mature student at York University

• John Mayhew explains why his companies uses film cameramen instead of TV cameramen
• Geoff Greenslade talks about working on two completely different productions
• Should we watch TV’s watchers more than we have in the past?
• EBU on ENG lenses
• Heather Mansfield takes the editor to task over the image he perpetrates with Zerb of cameramen
• Kevin Kavanagh – Film cameraman and editor of the magazine Eyepiece
• Survive a plane crash – part 2
• The most exciting TV show since the embassy siege
• Alan Brill gives his personal thoughts on ‘Talkback’
• Cameraman Mike Hobbs has discovered that there is more to life than work
• BBC Lighting Supervisor Hu Cartwright – interviewed
• Mike Baldock – Getting to know the he man behind the camera
• How do you spend your days off?
• A brief history of mechanical television
• Sportsfocuser – Automatic focusing
• The bare essentials forgotten during recent camera development

• GTC AGM 1980
• The BBC’s supplementary coverage of the 1980 Olympic games in Moscow
• John Thornton – photographer
• The EBU’s thinking on camera lenses for ENG
• The Guild – the story so far
• Cameraman Iain Nowell on his lucky escape from a helicopter crash
• Your ideal camera department?
• Deciding what’s News – reviewed
• A short story about a BBC ENG seminar
• How to survive a plane crash
• Mike Winser looks back at 18 months working on location drama
• Sid and Mary Sidebottom talk about their personal experience of vasectomies
• What really makes a cameraman a cameraman?
• TV cameraman goes filming
• Part 2 of an extract from the biography of Kenneth Horne
• Do you want to go to America?
• Editor John Duncum is taken to task by Vernon Dyer
• Raymond Brooks-Ward recalls the lighter side of his broadcasting career
• The secret Paris of the 30s
• David Dimbleby – interviewed
• Dave Hunter, Phil Jones, Roger Prior and Martin Wyatt prove they are more than just zoom and focus merchants
• Susan Mayer talks about going through a marriage breakdown

• Colour V/F – Dream or Reality?
• Cameraman Alistair Watt talks about ENG in Scotland
• John Radley talks about life in Canada
• A Westward Television production crew talk about their new purpose-built Sony OB unit
• A different girl every night – Sci-Fi by Dr. John Pierce
• Just for you – A high fibre diet
• A message to broadcasters from Leo Sturgess
• Part 1 of an extract from the biography of Kenneth Horne
• Pope John Paul’s visit to Ireland
• Freelance sound engineer Chris Wolf deescribes his way of life
• The production side of lunchtime show ‘Pebble Mill at One’
• Buying early cottage furniture – What should you be looking for?
• Nigel Renolds – interviewed
• Director Roger Gage looks at life from both sides of the camera

• Coverage of the San Diego air disaster
• Stuart Orme – The Mersey Pirate
• Live current affairs TV – What could go wrong?
• Covering a total solar eclipse
• Alan Marsden talks about his travels in Asia
• The ITN ENG Technical Evaluation Period
• Tony Astridge tells a tale of TV coverage in Oman
• Philips LDK 514 – reviewed
• Rambling Dick Hibberd
• Montreux ’79 – report
• Bob Coles on the design and modifications of future portable cameras
• The secret Paris of the 30s
• Mike Baldock – A tribute by Mike Solomons
• HMI Lighting
• Tommy Hodgson describes climbing the Lake District’s second highest peak
• Canned laughter – Good or Bad?
• Back pain
• The IBA and the Future
• ORW-EL Television Inc.
• Simon Fone talks about life as a mature student at York University
• John Pett discusses whether the ‘fun’ as gone out of television
• Protecting your eyesight – An experts advice
• VTR editing – The future?

• The 1978 GTC AGM
• Bob Turner talks about working as a Newsfilm cameraman
• Miniaturising the Louma Camera Crane
• Multi-camera shooting
• A glimpse into the private life of Douglas Birkinshaw OBE
• Freelancers’ success with ENG
• Society of TV Lighting Directors
• Nigel Fitzhue reveals almost all
• ‘What became of the Telepole idea?’
• The Future of the GTC – Point of view answers to Rod Allen’s opinions
• An excerpt from the late Henry Longhurst’s autobiography
• The GTC – What do you think so far?
• TV in New Zealand
• Portables – Five different cameras reviewed by the professionals that use them
• CCD Chips for Tubeless TV Cameras
• Mike Solomons on the new Health and Safety Act

• John Henshall on Dick Hibberd
• Harry Storey tells of a time of heavy camera gear
• Packer Cricket
• Part 2 of an excerpt from the biography by Richard Dimbleby
• Who wants to be ENGenius?
• Will Wyatt describes another way to produce a programme
• VTR Animation
• Vintage TV cameras
• Gore-tex – The future of waterproof clothing
• The low down on the Institute of Broadcast Sound
• American ENG
• Le Patomane – A tribute to the unique act which shook and shattered the Moulin Rouge
• The new Vinten ‘Post Head’ – Opinions from the pros
• Back pain – A doctor osteopath’s approach
• Why I dislike cameramen by Mike Wilson
• A Canadian view of NAB
• Simon Fone on the BBC Location Production Unit
• Film director Bernie Lewis discusses cameramen
• Angenieux – The problems/The solutions
• Brief first impressions on the Marconi Mk. 9
• Steve Jellyman on Phonographs
• To train a cameraman
• Philips LDK 15 L – reviewed
• Wimbledon as seen through the eyes of John Duncum
• The GTC – Of value to manufacturers and users of cameras alike

• Reports on the first all ENG programme produced in the UK
• Swedish Radio
• Bob Coles talks about RTS’s ‘Light revolution’ symposium at Pebble Mill
• Jon Rees column – The problem of foreigners on holiday
• The work of a TV cameraman
• History of the Zoom Lens – part 2
• Ronnie Wladman – A brief tribute by Robin Scott
• Sheila Hocken tells us about how she can see after years in the dark
• A TV and film lens testing system
• Dave Rogers on his initiation tour of BBC’s Lime Grove studios
• Geostationary satellites and communications
• Part 1 of an excerpt from the biography by Richard Dimbleby
• Ron Tufnell – A ‘behind the scenes’ man who has acheived much with little recognition
• Microprocessors
• A Guild guide to cameraman training? – by Dick Hibberd
• IVC Portable on Vinten Ped
• Ros Storey checks out some new vision mixing equipment
• Thin Film TV Panel – How soon the end of the Cathode Ray Tube?
• The Cancer Puzzle by Robert F. Weaver
• Sheer enjoyment – by a sound engineer
• First impressions of the Thomson Microcam
• A brief report on the Scorpion Dolly

• GTC AGM 1977
• There’s not many people know this by Reg King
• An International Ideal – The future of the Guild
• Burt Betts – His life and times
• IVC – The first 12 months
• Swiss-French ENG
• Angenieux – The problems/The solutions
• NECAM – The Neve Computer Aided Mixing System
• John Duncum’s first impressions of Steadicam
• Run for your life – Why you should take up athletics
• Jon Rees column – My holiday
• Citizen’s Band radio
• Using films in the classroom
• Lulu Whittlesea achieves fame through the BBC’s ‘It’s a knockout’
• Vinten’s Peregrine crane
• New techniques in TV drama production
• History of the Zoom Lens – part 1
• T.C. 6 & Link – Part 2
• Lasers – present and future
• Weekend in Europa by Chris Williams and Robin Sutherland
• The work of a TV cameraman

• Pocket Television
• Ideas to increase AGM attendance
• ITN’s two camera range rover
• Television – A career?
• Vinten’s Mk. 5 pan and tilt head – reviewed
• Plains goes to Washington – The first BBC ENG documentary
• John Bliss looks back at how TV has changed during his career
• Was Paul Revere a minute person?
• Calculating the width of shot – the easy way
• Bill Vinten on the Vinten Peregrine
• Murphy’s law – if it can happen, it will!
• Philips LDK 25 at Yorkshire TV
• Film or Television cameraman?
• John Glenister on his career
• Portable TV lighting control system
• John Duncum on fluid heads
• Avoiding back trouble at work
• New directions for cameramen
• Jim Atkinson ‘Hell on Wheels’ – TV drama from the cameraman’s point of view
• BBC Television Studio 6 and the Link 110 camera
• Seaside Special by a sound engineer
• The prototype Canon 25-1

• Perspective – The editor’s thoughts on equipment, packaging, entertainment, a new magazine title, and the next issue of the magazine
• How two ITV companies came to cover the same football match
• An engineer comments on professionals in the industry
• Vinten Petrel pan and tilt head – reviewed
• Philips LDK 5 – reviewed
• The 1974 March GTC council meeting report
• Did you know – discussions about camera hardware
• A tribute to Dave Rogers
• Keith Salmon on the Vinten Peregrine
• Love and lust behind the camera
• Profile 3: Vernon Dyer
• The 1974 June GTC council meeting report
• The Marconi Mk. 8 portable camera – reviewed

• The last 1973 GTC council meeting report
• The aims and means of the GTC
• A visit to Rank Optics
• Heard and seen – the first camera
• Profile 2: Ted Cocks
• Waterbound – HTV Scanner takes to water
• David Bull – interviewed
• LDK 15 Mk. 2 – reviewed
• Vernon Dyer on Zoom vs Turret
• Thermal underwear for cameramen
• Book review – TV Camera Operation by Gerald Millerson

• Being a cameraman – It’s easy if you have fourhands!
• Profile 1: Peter Sargeant
• The ACC 5000 Portable Colour TV Camera – reviewed
• Link’s Series 110 Colour camera – reviewed
• The Flying Pod – transporting portable cameras from one shoot to the next
• John Scarrott on Granada’s Studio 8
• The June 1973 GTC council meeting report
• Peter Jones at the AGM

• Being a cameraman – Point and Focus
• Is an ITV exchange scheme for cameraman a good idea?
• Poem – The Television Cameraman by George R. Wood
• Credits for cameramen
• Experimenting with new lightweight OB equipment
• Television cameramen and their Guild
• Thoughts on Television and its future from the early pioneers
• The Philips LDK 15 prototype – reviewed
• Geoff Plumb takes a look at London Weekend Television’s move from Wembley to the South Bank